SUBMISSION to the WORLD INTELLECTUAL PROPERTY
ORGANISATION on ROME CONVENTION, 1961, INTERNATIONAL CONVENTION
FOR THE PROTECTION OF PERFORMERS, PRODUCERS OF PHONOGRAMS AND
BROADCASTING ORGANISATIONS.
Argues that the term sound director should be included
within the
definition of performer and so qualify for participation in performance
incomes
 
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Comments regarding the COMMUNICATION FROM THE
COMMISSION TO THE COUNCIL, THE EUROPEAN PARLIAMENT
AND THE EUROPEAN ECONOMIC AND SOCIAL COMMITTEE ON THE MANAGEMENT OF
COPYRIGHT AND RELATED RIGHTS IN THE INTERNAL MARKET
Argues that sound directors and studio producers
should receive fair and
equal treatment as stakeholders in the internal market.
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this article in English |
